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Its founders were noted actors and directors from the film industry, including Johnny Delgado, Laurice Guillen, Peque Gallaga, Leo Martinez, Ishmael Bernal, Rudy Fernandez, Amy Austria, Vivian Velez, Rowell Santiago, Mario Taguiwalo, and Ricardo Puno Jr.
The AWF membership as well as its teaching staff is composed largely of practicing actors involved actively in film, television, and theater. Her parents are actor Linda Estrella and Adriano Agana. Paul College, Quezon City and Philippine Women’s University (PWU). Perez of Sampaguita Pictures, who gave her a bit part as a solo ballet dancer in Milagro ng Birhen ng mga Rosas (Miracle of the Virgin of the Roses), 1949.
Organized as the Actors Workshop in 1983, it originally functioned as the education committee of the Katipunan ng mga Artista ng Pelikulang Pilipino (KAPP) aka Filipino Screen Actors Guild, conducting regular workshops for KAPP’s member- actors, professional extras, and bit players.
In May 1985, the Actors Workshop became a private foundation and opened its doors also to nonprofessional actors and other acting enthusiasts.
He studied at De La Salle Greenhills from grade school to high school.
Abaya and Catalina Roxas, he is married to movie director Marilou Diaz-Abaya with whom he has two children.
His partners in this venture were his wife and two high school buddies, film assistant director Gregg de Guzman and sound director Amang Sanchez.
He received the Natatanging Gawad Urian from the Manunuri ng Pelikulang Pilipino in 1990 for his outstanding achievements in film. He started as a clapper boy in the films of director Carlos Vander Tolosa.
His first film was Malaya, Mutya ng Gubat (Malaya, Muse of the Forest), 1948, starring Mila del Sol and Teody Belarmino.
He was assistant cameraman to Ray Lacap in Hantik (Black Ant), 1950, which won the Maria Clara best supporting actor award for Tony Santos Sr. He also photographed the prize winning Avellana documentary, El legado (The Legacy), 1959.
Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.
At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.
Agana’s daughter, Marita, had a short-lived stint in the Philippine movies as “Tessie Agana Jr.” Marita appeared in For You Mama, 1970, with Gloria Romero and Luis Gonzales, and in Elizabeth, 1971. She also portrayed the young Irene Marcos in Pinagbuklod ng Langit (Joined by Heaven), 1969, and was one of the children in Lino Brocka’s Wanted: Perfect Mother, 1970. He has portrayed a variety of roles: a hippie in Beatnik, 1960; a Western gunfighter who challenges Dolphy to a duel in Barilan Sa Baboy-Koral (Gunfight at Pig’s Corral) and the devil, Lucifer, in Si Lucio at Si Miguel (Lucio and Miguel), 1962; and a wacky private sleuth in Detective Kalog and a fierce tribal chieftain in Tansan vs. Their siblings, Gabriel and Marita, work as model makers. All, except Ang Klon, have won awards in short-film festivals of the Experimental Cinema of the Philippines (ECP) and the Cultural Center of the Philippines (CCP). She played her first lead role in Jingy, 1967, opposite Fernando Poe Jr. He was married to Ester Hugo with whom he has seven children.